It isnвЂ™t an absolute travesty the cinematography is still largely lovely (apart some very questionable scene transitions), and while they still feel the need to shove SherlockвЂ™s character in our face by having him be spontaneously violent for no reason and interrupt people literally constantly, thatвЂ™s fine, thatвЂ™s pretty much a hallmark of the show and itвЂ™s what we came for. For the purposes of this post however, I will focus on the aforementioned Christmas Special. Season 3 was, for me, the beginning of the descent into the arrogance-fuelled, theyвЂ™ll-like-it-anyway screenwriting platitudes that I believe Sherlock currently finds itself in, and I may return to rant about it, particularly episode 3 of that season, at another time. Unfortunately, the same cannot be said of the more recent episodes, chiefly the most-recently-aired Abominable Bride. They were also, most importantly, easy to follow and fun. They were well-shot, well-acted, mostly well-written and cleverly updated the Conan Doyle originals to fit the modern day setting in a way that very rarely felt tacky or forced.

I want to quickly say that I really loved seasons 1 and 2 of the BBCвЂ™s Sherlock. A (perhaps a little too much) in-depth discussion of the problems of the Sherlock Christmas special: The Abominable Bride.

Sherlock abominable bride online full